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\par }}{\*\pnseclvl1\pnucrm\pnstart1\pnindent720\pnhang {\pntxta .}}{\*\pnseclvl2\pnucltr\pnstart1\pnindent720\pnhang {\pntxta .}}{\*\pnseclvl3\pndec\pnstart1\pnindent720\pnhang {\pntxta .}}{\*\pnseclvl4\pnlcltr\pnstart1\pnindent720\pnhang {\pntxta )}}
{\*\pnseclvl5\pndec\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}{\*\pnseclvl6\pnlcltr\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}{\*\pnseclvl7\pnlcrm\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}{\*\pnseclvl8
\pnlcltr\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}{\*\pnseclvl9\pnlcrm\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}\pard\plain \ltrpar\qc \li0\ri0\sa200\sl276\slmult1
\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid14238931 \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\rtlch\fcs1 \af31507 \ltrch\fcs0 
\f41\fs32\insrsid14238931 \'93}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs32\insrsid7101641 How it Feels to be Colored M}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs32\insrsid14238931 e\'94 Zora Neale Hurston}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\f41\fs32\insrsid10445970 
\par }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs32\insrsid14238931 
\par {\listtext\pard\plain\ltrpar \s15 \rtlch\fcs1 \af0\afs22 \ltrch\fcs0 \f31506\fs22\insrsid14238931 \hich\af31506\dbch\af0\loch\f31506 1.\tab}}\pard\plain \ltrpar\s15\ql \fi-360\li1080\ri0\sa200\sl276\slmult1
\widctlpar\wrapdefault\aspalpha\aspnum\faauto\ls2\adjustright\rin0\lin1080\itap0\pararsid14238931\contextualspace \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid14238931 What does Hurston mean when she claims to feel colored? Why wasn\rquote t she colored when she spoke to the white people who passed through her town?}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\f41\fs32\insrsid14238931\charrsid14238931 
\par }\pard\plain \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid14238931 \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 
{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs32\insrsid14238931 
\par 
\par 
\par {\listtext\pard\plain\ltrpar \s15 \rtlch\fcs1 \af0\afs22 \ltrch\fcs0 \f31506\fs22\insrsid14238931\charrsid14238931 \hich\af31506\dbch\af0\loch\f31506 2.\tab}}\pard\plain \ltrpar\s15\ql \fi-360\li1080\ri0\sa200\sl276\slmult1
\widctlpar\wrapdefault\aspalpha\aspnum\faauto\ls2\adjustright\rin0\lin1080\itap0\pararsid14238931\contextualspace \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid14238931\charrsid14238931 Hurston says she is not \lquote tragically colored;\rquote  what does she mean? What does this have to do with her feelings about slavery?}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\f41\insrsid14238931\charrsid14238931 
\par }\pard\plain \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid14238931 \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 
{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\insrsid14238931 
\par 
\par 
\par 
\par {\listtext\pard\plain\ltrpar \s15 \rtlch\fcs1 \af0\afs22 \ltrch\fcs0 \f31506\fs22\insrsid14238931 \hich\af31506\dbch\af0\loch\f31506 3.\tab}}\pard\plain \ltrpar\s15\ql \fi-360\li1080\ri0\sa200\sl276\slmult1
\widctlpar\wrapdefault\aspalpha\aspnum\faauto\ls2\adjustright\rin0\lin1080\itap0\pararsid14238931\contextualspace \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid14238931 When does Hurston feel colored? Give multiple examples.}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\insrsid14238931\charrsid14238931 
\par }\pard\plain \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid14238931 \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 
{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\insrsid14238931 
\par 
\par 
\par 
\par {\listtext\pard\plain\ltrpar \s15 \rtlch\fcs1 \af0\afs22 \ltrch\fcs0 \f31506\fs22\insrsid14238931 \hich\af31506\dbch\af0\loch\f31506 4.\tab}}\pard\plain \ltrpar\s15\ql \fi-360\li1080\ri0\sa200\sl276\slmult1
\widctlpar\wrapdefault\aspalpha\aspnum\faauto\ls2\adjustright\rin0\lin1080\itap0\pararsid11537441\contextualspace \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid14238931 How do you think Hurston would describe herself? Why? }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\insrsid11537441\charrsid11537441 
\par }\pard\plain \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid14238931 \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 
{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\insrsid14238931 
\par 
\par 
\par 
\par {\listtext\pard\plain\ltrpar \s15 \rtlch\fcs1 \af0\afs22 \ltrch\fcs0 \f31506\fs22\insrsid11537441\charrsid11537441 \hich\af31506\dbch\af0\loch\f31506 5.\tab}}\pard\plain \ltrpar\s15\ql \fi-360\li1080\ri0\sa200\sl276\slmult1
\widctlpar\wrapdefault\aspalpha\aspnum\faauto\ls2\adjustright\rin0\lin1080\itap0\pararsid11537441\contextualspace \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid11537441\charrsid11537441 Why do you think this is considered a Harlem Renaissance piece?}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid7101641\charrsid11537441 
\par }\pard\plain \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid14238931 \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 \f31506\fs22\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 
{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs24\insrsid7101641 
\par 
\par }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs24\insrsid5117143 
\par 
\par }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs24\insrsid14238931 VOCAB YOU MAY NOT KNOW:
\par Circumlocutions: To speak around a topic. To take tangents. \'93Beat around the bush\'94
\par }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs24\insrsid7101641 Hegira: Referring to the Prophet Muhammad\rquote s flight from Mecca to Medina. To flee from danger.
\par Assegai: A spear used by African tribes.
\par Miscellany: Assortment. Variety. A lot of different things together.
\par Parse-me-la: Kind-of-dance
\par   }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs24\insrsid13372557 
\par }\pard \ltrpar\ql \li0\ri0\widctlpar\wrapdefault\faauto\rin0\lin0\itap0\pararsid13372557 {\rtlch\fcs1 \ab\af0\afs36 \ltrch\fcs0 \b\f0\fs36\insrsid13372557 How It Feels to Be Colored Me
\par }{\rtlch\fcs1 \ab\af0\afs24 \ltrch\fcs0 \b\f0\fs24\insrsid13372557 Zora Neale Hurston
\par }{\rtlch\fcs1 \af0\afs24 \ltrch\fcs0 \f0\fs24\insrsid13372557 I am colored but I offer nothing in the way of extenuating circumstances except the fact
\par that I am the only Negro in the United States whose grandfather on the mother's side was
\par not an Indian chief.
\par I remember the very day that I became colored. Up to my thirteenth year I lived in the
\par little Negro town of Eatonville, Florida. It is exclusively a colored town. The only white
\par people I knew passed through the town going to or coming from Orlando. The native
\par whites rode dusty horses, the Northern tourists chugged down the sandy village road in
\par automobiles. The town knew the Southerners and never stopped cane chewing when they
\par passed. But the Northerners were something else again. They were peered at cautiously
\par from behind curtains by the timid. The more venturesome would come out on the porch
\par to watch them go past and got just as much pleasure out of the tourists as the tourists got
\par out of the village.
\par The front porch might seem a daring place for the rest of the town, but it was a gallery
\par seat to me. My favorite place was atop the gate-post. Proscenium box for a born firstnighter.
\par Not only did I enjoy the show, but I didn't mind the actors knowing that I liked it.
\par I usually spoke to them in passing. I'd wave at them and when they returned my salute, I
\par would say something like this: "Howdy-do-well-I-thank-you-where-you-goin'?" Usually
\par the automobile or the horse paused at this, and after a queer exchange of compliments, I
\par would probably "go a piece of the way" with them, as we say in farthest Florida. If one of
\par my family happened to come to the front in time to see me, of course negotiations would
\par be rudely broken off. But even so, it is clear that I was the first "welcome-to-our-state"
\par Floridian, and I hope the Miami Chamber of Commerce will please take notice.
\par During this period, white people differed from colored to me only in that they rode
\par through town and never lived there. They liked to hear me "speak pieces" and sing and
\par wanted to see me dance the parse-me-la, and gave me generously of their small silver for
\par doing these things, which seemed strange to me for I wanted to do them so much that I
\par needed bribing to stop. Only they didn't know it. The colored people gave no dimes. They
\par deplored any joyful tendencies in me, but I was their Zora nevertheless. I belonged to
\par them, to the nearby hotels, to the county-- everybody's Zora.
\par But changes came in the family when I was thirteen, and I was sent to school in
\par Jacksonville. I left Eatonville, the town of the oleanders, as Zora. When I disembarked
\par from the river-boat at Jacksonville, she was no more. It seemed that I had suffered a sea
\par change. I was not Zora of Orange County any more, I was now a little colored girl. I
\par found it out in certain ways. In my heart as well as in the mirror, I became a fast brown--
\par warranted not to rub nor run.
\par But I am not tragically colored. There is no great sorrow dammed up in my soul, nor
\par lurking behind my eyes. I do not mind at all. I do not belong to the sobbing school of
\par Negrohood who hold that nature somehow has given them a lowdown dirty deal and
\par whose feelings are all hurt about it. Even in the helter-skelter skirmish that is my life, I
\par have seen that the world is to the strong regardless of a little pigmentation more or less.
\par No, I do not weep at the world--I am too busy sharpening my oyster knife.
\par Someone is always at my elbow reminding me that I am the granddaughter of slaves. It
\par fails to register depression with me. Slavery is sixty years in the past. The operation was
\par successful and the patient is doing well, thank you. The terrible struggle that made me an
\par American out of a potential slave said "On the line!" The Reconstruction said "Get set!";
\par and the generation before said "Go!" I am off to a flying start and I must not halt in the
\par stretch to look behind and weep. Slavery is the price I paid for civilization, and the choice
\par was not with me. It is a bully adventure and worth all that I have paid through my
\par ancestors for it. No one on earth ever had a greater chance for glory. The world to be won
\par and nothing to be lost. It is thrilling to think--to know that for any act of mine, I shall get
\par twice as much praise or twice as much blame. It is quite exciting to hold the center of the
\par national stage, with the spectators not knowing whether to laugh or to weep.
\par The position of my white neighbor is much more difficult. No brown specter pulls up a
\par chair beside me when I sit down to eat. No dark ghost thrusts its leg against mine in bed.
\par The game of keeping what one has is never so exciting as the game of getting.
\par I do not always feel colored. Even now I often achieve the unconscious Zora of
\par Eatonville before the Hegira }{\rtlch\fcs1 \af0\afs16 \ltrch\fcs0 \f0\fs16\insrsid13372557 1}{\rtlch\fcs1 \af0\afs24 \ltrch\fcs0 \f0\fs24\insrsid13372557 . I feel most colored when I am thrown against a sharp
\par white background.
\par For instance at Barnard.}{\rtlch\fcs1 \af0\afs16 \ltrch\fcs0 \f0\fs16\insrsid13372557 2 }{\rtlch\fcs1 \af0\afs24 \ltrch\fcs0 \f0\fs24\insrsid13372557 "Beside the waters of the Hudson" I feel my race. Among the
\par thousand white persons, I am a dark rock surged upon, overswept by a creamy sea. I am
\par surged upon and overswept, but through it all, I remain myself. When covered by the
\par waters, I am; and the ebb but reveals me again.
\par Sometimes it is the other way around. A white person is set down in our midst, but the
\par contrast is just as sharp for me. For instance, when I sit in the drafty basement that is The
\par New World Cabaret with a white person, my color comes. We enter chatting about any
\par little nothing that we have in common and are seated by the jazz waiters. In the abrupt
\par way that jazz orchestras have, this one plunges into a number. It loses no time in
\par circumlocutions, but gets right down to business. It constricts the thorax and splits the
\par heart with its tempo and narcotic harmonies. This orchestra grows rambunctious, rears on
\par its hind legs and attacks the tonal veil with primitive fury, rending it, clawing it until it
\par breaks through the jungle beyond. I follow those heathen--follow them exultingly. I
\par dance wildly inside myself; I yell within, I whoop; I shake my assegai}{\rtlch\fcs1 \af0\afs16 \ltrch\fcs0 \f0\fs16\insrsid13372557 3 }{\rtlch\fcs1 \af0\afs24 \ltrch\fcs0 \f0\fs24\insrsid13372557 above my head, I
\par hurl it true to the mark yeeeooww! I am in the jungle and living in the jungle way. My
\par face is painted red and yellow and my body is painted blue. My pulse is throbbing like a
\par war drum. I want to slaughter something--give pain, give death to what, I do not know.
\par But the piece ends. The men of the orchestra wipe their lips and rest their fingers. I creep
\par back slowly to the veneer we call civilization with the last tone and find the white friend
\par sitting motionless in his seat, smoking calmly.
\par "Good music they have here," he remarks, drumming the table with his fingertips.
\par Music! The great blobs of purple and red emotion have not touched him. He has only
\par heard what I felt. He is far away and I see him but dimly across the ocean and the
\par continent that have fallen between us. He is so pale with his whiteness then and I am so
\par colored.
\par At certain times I have no race, I am me. When I set my hat at a certain angle and saunter
\par down Seventh Avenue, Harlem City, feeling as snooty as the lions in front of the Forty-
\par Second Street Library, for instance. So far as my feelings are concerned, Peggy Hopkins
\par Joyce}{\rtlch\fcs1 \af0\afs16 \ltrch\fcs0 \f0\fs16\insrsid13372557 4 }{\rtlch\fcs1 \af0\afs24 \ltrch\fcs0 \f0\fs24\insrsid13372557 on the Boule Mich with her gorgeous raiment, stately carriage, knees knocking
\par together in a most aristocratic manner, has nothing on me. The cosmic Zora emerges. I
\par belong to no race nor time. I am the eternal feminine with its string of beads.
\par I have no separate feeling about being an American citizen and colored. It merely
\par astonishes me. How can any deny themselves the pleasure of my company! It's beyond
\par me.
\par But in the main, I feel like a brown bag of miscellany propped against a wall. Against a
\par wall in company with other bags, white, red and yellow. Pour out the contents, and there
\par is discovered a jumble of small things priceless and worthless. A first-water diamond}{\rtlch\fcs1 \af0\afs16 \ltrch\fcs0 \f0\fs16\insrsid13372557 5}{\rtlch\fcs1 \af0\afs24 \ltrch\fcs0 \f0\fs24\insrsid13372557 , an
\par empty spool, bits of broken glass, lengths of string, a key to a door long since crumbled
\par away, a rusty knifeblade, old shoes saved for a road that never was and never will be, a
\par nail bent under the weight of things too heavy for any nail, a dried flower or two, still a
\par little fragrant. In your hand is the brown bag. On the ground before you is the jumble it
\par held--so much like the jumble in the bags, could they be emptied, that all might be
\par dumped in a single heap and the bags refilled without altering the content of any greatly.
\par A bit of colored glass more or less would not matter. Perhaps that is how the Great
\par Stuffer of Bags filled them in the first place--who knows?
\par }\pard \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid13372557 {\rtlch\fcs1 \af31507 \ltrch\fcs0 \f41\fs24\insrsid13372557\charrsid14238931 
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